Benjamin Clymer's name is synonymous with horological excellence and a deep appreciation for vintage timepieces. While his influence extends far beyond a single watch, his personal connection to, and public discussion of, specific Rolex Submariners, particularly a 1966 example, has solidified his position as a key figure in the world of watch collecting and journalism. This exploration delves into Clymer's relationship with the Rolex Submariner, examining the significance of his 1966 reference 5513, as highlighted in Jason Heaton's article "Patina: 1966 Rolex Submariner (ref. 5513) Worn and Well Worn," and how it reflects a larger appreciation for the history and character embedded within vintage watches.
The August 18, 2011, article on Hodinkee, "Patina: 1966 Rolex Submariner (ref. 5513) Worn and Well Worn," by Jason Heaton, serves as a pivotal point in understanding Clymer's connection to the iconic dive watch. The article isn't just a technical appraisal; it's a celebration of the watch's lived-in history, its patina a testament to years of wear and adventure. The piece showcases not only the watch's physical attributes – the faded dial, the subtle scratches on the case, the worn bezel – but also the story it tells. It's a story of a life lived, a life intertwined with the watch's own journey. This emphasis on the narrative aspect of vintage watch collecting is a hallmark of Clymer's own approach to the hobby, an approach that has profoundly influenced how we perceive and value these timepieces today.
Clymer's appreciation for vintage watches, particularly Rolex Submariners, extends beyond a single piece. His personal collection, often subtly showcased in articles and photographs (such as those potentially found in "How I Dress Now: Benjamin Clymer"), likely includes other notable examples. While specific details about his entire collection remain largely private, the public’s knowledge of his ownership of a 1966 Rolex Submariner ref. 5513, as detailed by Heaton, provides a window into his taste and collecting philosophy. He clearly favors pieces with significant wear, suggesting a preference for authenticity and history over pristine condition. This isn't about collecting museum pieces; it's about collecting stories.
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